lavinia fontana autoportrait

Fontana presents herself as a confident and fairly attractive woman. I certainly feel that way. I’ve never considered the role of the servant very much, beyond how she functions as a symbol of status. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. Fontana (Jean), né à Mili près de Côme en 1540, mort en 1614, fut un des architectes de l'église de Saint-Pierre de Rome, mais excella surtout dans l'hydraulique. I am currently in the process of restoring the content of 3pipe.net, I was lacking the technical knowledge but have now found someone to assist with that. I have seen the “wedding” portrait first time several months ago, and was intrigued by the role of the servant. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595. Lavinia Fontana (née en 1552 à Bologne, morte en 1614 à Rome) est issue d’une famille bolonaise. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. 58.3 (1995): 381-406. Lavina Fontana naît le 24 août 1552 à Bologne. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … 12 janv. Lovely tribute, I hope Hasan’s blog comes back online at some point! . She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. (7), The musical instrument itself is a symbol both of love and financial status. For more information, see Liana De Girolami Cheney, et. Babette Bohn says that due to this, “it is less common to find 16th century artistic self portraits that explicitly identify their subjects’ artistic vocation.” (2) Palettes, brushes, drawings, and easels rarely appear. For one thing, I’m an art historian who is a woman. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . (17) Ciacon knew of Fontana’s work and requested she send him “a little portrait of yourself… which can then accompany that of Sophonisba which shall thus be seen and looked at and recognized by everyone as it shall be made into a print among those five hundred illustrious men and women which shall be engraved in copper at the expense of his Grace the Archduke Ferdinand of Austria.” (18). Do you, by chance, have any ideas? Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 14 Simons, Patricia. 11 McIver, Katherine. Her face, which looks forward openly, has strong features and clear skin. Après son père, son mari lui trouve ses commanditaires, diffuse et vend ses œuvres. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. I’m sure that I could be responsible for any reasonable hosting Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. Grace Reff Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Emma Barker, Nick Webb, and Kim Woods (London: Yale University Press, 1999), 72-74. Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Renaud Camus has uploaded 25646 photos to Flickr. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Also, this uncertainty protected her from the “perception, inherited from her father, of the greater regard for scholars than for artists in Bologna.” (19) She is shown in a position which sends the message that she is inspired by both intellectual and creative activity. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Autoportrait (1600), Lavinia Fontana Minerve s'Habillant (1613), Lavinia Fontana Envoyer par e-mail BlogThis! The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. 6. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 7 King, 73. Although I appreciate your writing on Lavinia Fontana. all, Self-Portraits of Women Painters (London: Ashgate/Scolar Press, 2000), p. 60 (revised. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? 28 déc. Elle est née à Bologne , fille de Prospero Fontana , qui était un peintre de l' école de Bologne . incorrect it was not Bohn, but I, who was the first scholar to observe, associate, and published on the red knot on the clavichord as a symbol of love. Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Fontana’s earliest self-portrait is quite unique, since it was created as a marriage portrait. I assumed that she is bringing music for Lavinia to play. 2 (2004): 251-256. all, Lavinia Fontana’s ‘Self-Portrait’ and Gender.”, RT @geminicat7: ✨ Until tomorrow ... New Haven: Yale University, 1989, 35-37. 4 Jul. 18.2 (2004): 239-86. Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. In addition, Fontana is interested in suggesting her wealth; she depicts herself in lavish clothing and she is sitting in an armchair (poor people owned only stools at this time).7. 17 King, Catherine. 1600. Autoportrait dans l’atelier (1579) Huile sur cuivre, diamètre 16 cm, Galerie des Offices, Florence. Although I am hopeful that the job market for women in academia is ever-improving (and equalizing), I think many women still feel cautious in how they present themselves in the academic world (in order to keep a competitive edge against men). New Haven: Yale University Press, 2003. (A nineteenth century engraving of Fontana’s painting is helpful in seeing these details.) It’s nice to hear from another art historian who loves Lavinia Fontana! 2012. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits. Renaud Camus has uploaded 26082 photos to Flickr. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s Self-Portrait from c. 1555, in which she modestly covers herself with a mirror (which she protectively places in front of her body like a shield). Hello Llana! She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. all,Self -Portraits of Women Painters. As with the marriage portrait, Fontana opts to emphasize her learning and wealth. • 1577 : Autoportrait au clavicorde accompagné d'une servante, Accademia Nazionale di San Luca, Rome. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. I have thought about Hasan a lot lately, particularly because I think he would enjoy some of the topics I am exploring with my students. Vintage Art. There are five self-portraits by Lavinia Fontana that are known: four paintings and one drawing. Renaud Camus has uploaded 25965 photos to Flickr. In addition, her knowledge and learning are emphasized by the fact that she includes a Latin inscription in the upper corner of the canvas. Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG Selle eelvaate suurus: 524 × 600 pikslit. On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. If Mr. Niyazi was some pedestrian blogger I would not bother but Lavinia Fontana. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. Print. This site focuses on her portraits. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. Lavinia Fontana. Thank you for this interesting post about Fontana’s self-portraits. erudition on display again for those who knew him and for those who have yet to come into Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. 2012. “Female Self-portraiture in early modern Bologna.” Renaissance Studies. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. 4 King, p. 67. Vers la fin des années 1570, la jeune fille se fait connaître dans la ville par ses portraits, notamment l'Autoportrait au clavecin (1577, académie de Saint-Luc à Rome) et le très formaliste Famille Gozzadini (1584, pinacothèque de Bologne). I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. community of his many admirers would very much like to see it restored in some form. your own Pins on Pinterest The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Lavinia Fontana. L’autoportrait suppose en principe l’utilisation d’un miroir, instrument qui se développe à partir du XVe siècle. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? Thank you for making the corrections. 244. Fille du peintre maniériste, Prospero Fontana, c’est avec lui que Lavinia fait son apprentissage. at the time and served as her teacher. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Commission yourself a portrait today! Web. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. Hello Monica, See Liana De Girolami Cheney, et. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. Lavinia Fontana, autoportrait; ca. Or maybe improving an existing one? Your footnote no. My very best wishes to you and please accept my condolences on your loss, Robert H. Consoli Lavinia Fontana. musical notation) to Lavinia, which ultimately stresses Lavinia’s education as one who can read music? Pour les articles homonymes, voir Fontana. I’ve included that citation in the footnote and updated it accordingly. L’artiste se dépeint donc non pas comme telle mais exerçant une autre She was one of the first women to execute large, publicly commissioned figure paintings. She was born in Bologna, the daughter of Prospero Fontana, who was a painter of the School of Bologna. Her family relied on her career as a painter, and her husband served as her agent and rai… Son père est peintre de la contre-réforme très en vogue auprès des papes. Discover (and save!) Quand elle épouse, en 1557, le peintre Gian Paolo Zappi, son talent est déjà reconnu et elle réalise les portraits de notables de Bologne.

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